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Can Karadoğan received his B.Sc. in Electronics and Telecommunications Engineering from Istanbul Technical University (ITU) in 1998. During his M.Sc. studies at the Hamburg University of Technology (TUHH), he collaborated with Prof. Dr. Udo Zölzer and Prof. Dr. Albrecht Schneider on the paper “Analysis of Transient Musical Sounds by Auto-Regressive Modelling,” which was presented at DAFX-2003 in London.
He completed his Ph.D. in Music at ITU Dr. Erol Üçer Center for Advanced Studies in Music (MIAM) in 2010. Between 2004 and 2011, he worked in the field of sound engineering and design with Dr. Pieter Snapper and Dr. Reuben de Lautour, participating in numerous album projects as a recording, mixing, and mastering engineer at the MIAM studios.
In 2011, he was appointed as an Assistant Professor at the ITU Turkish Music State Conservatory (TMDK), Department of Music Technology, and subsequently served as the Head of Department. He became an Associate Professor in 2013. The İzmir Barok album, for which he shared recording engineering credits with Dr. Ozan Sarıer, received the “Mikrop Gramofon” award at the 5th Donizetti Classical Music Awards in 2014.
In 2017, he released his first solo album “Kahraman Gölgeleri” under the Gri Plak label, featuring his own songs. In 2018, supported by an ITU UIDP-BAP research grant, he spent three months at HAW Hamburg working with Prof. Thomas Görne on 3D audio. Upon returning, he contributed to adapting MIAM’s recording studio for the Dolby Atmos system and facilitated the signing of an educational collaboration agreement between Dolby Institute and ITU.
Between 2011 and 2025, he served as Chair of the Department of Music Technology at ITU TMDK, contributing to its institutional development. From 2020 to 2024, he also served as Vice Director of the Conservatory. Since 2023, he has been the Director of the ITU Dr. Erol Üçer Center for Advanced Studies in Music (MIAM).
Since 2012, Karadoğan has served as Studio Director of the ITU-MIAM Recording Studio. He teaches and supervises theses in both the undergraduate Music Technology program and the graduate programs in Sound Engineering and Design at MIAM. His primary interests include sound engineering in jazz, classical, rock, and Turkish classical music genres, as well as electroacoustic and popular music production, spatial audio, song writing, and performance.
He has been a member of the Audio Engineering Society (AES) and MSG Composers’ Union since 2011. Since 2024, he has been the producer and host of the radio program “Yankılı Sokak” on TRT 3 Radio.
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